Arri

https://www.arri.com
https://www.linkedin.com/company/arri/

Arri, a privately owned company headquartered in Germany, operates as a subsidiary of Riedel Communications and holds Claypaky as a subsidiary. Founded in 1917, employing approximately 750 individuals, and reporting $326.2M in revenue as of 2024, it functions as a tier 1 media tech buyer. The company specializes in content acquisition, designing and manufacturing a range of products including cameras, lenses, lamps, and lighting systems, as well as running rental operations across Europe to support major TV series and movie shoots.

2024 Revenue

Founded

1917

Headcount

743

Headquarters

Germany

Primary Segment

Content acquisition

Ownership

Privately Owned

Deployments

News Summary:

On June 24, 2026, Arri introduced LUKA, an Unreal Engine plugin designed to integrate its lighting and camera tools into real-time virtual environments for tasks such as lighting, camera previs, LED wall preparation, and post handoff. This development follows the company's acquisition by the Riedel Group less than three months prior. Previously, on June 23, Arri set a new benchmark for live entertainment broadcasts at the 2026 Eurovision Song Contest in Vienna, where Austria's host broadcaster ORF deployed 24 ALEXA 35 Live cameras to achieve a cinematic aesthetic. This initiative stems from ORF's determination to elevate the impact of the event, which Vienna hosted after Austria won the 2025 Eurovision Song Contest, as reported on June 19.

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Arri offers 9 products in the media tech industry. Arri's product portfolio comprises of media managed services, production and post production, broadcast professional services and content acquisition.

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Arri's revenues were less than $500M in 2024. Caretta Research has split Arri's revenue into 9 different product categories, the largest of which is studio lighting systems. For full access to Arri's revenue breakdown subscribe to Caretta Portal.

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Jul

10th

2026

05:30

Events, Events and Conferences

Riedel And ARRI Bring Cinematic Live Production To The Eurovision Song Contest

As host broadcaster for the EBU’s Eurovision Song Contest, ORF set out to create a more emotional, cinematic look with greater intimacy and proximity to the artists while preserving the operational robustness of classic live broadcast.

The Broadcast Bridge

Jul

10th

2026

05:13

New Offerings, B2B Tag, New Offerings

P+S Technik HEXAMO Mount Brings Leitz HEKTOR Primes to ARRI ALEXA

P+S Technik has introduced HEXAMO, a dedicated mount system that enables Leitz HEKTOR Cine Prime lenses to be used on the ARRI ALEXA platform. The HEKTOR lenses were originally developed for modern mirrorless camera systems with short flange focal distances.

CineD

Jul

9th

2026

10:15

New Offerings, Emerging Tech, B2B Tag, New Offerings

Arri just gave live broadcasts the Hollywood slow

Arri has unveiled the Alexa 35 Live Xtreme, a new high-speed live production camera designed to bring cinematic slow motion into traditional broadcast workflows. Built for live entertainment, sports, concerts, fashion shows, and major televised events, the new camera can deliver high frame rate output of up to 8x while still working through familiar SDI-based systems.

Daily Advent

Jul

9th

2026

01:00

New Offerings, Emerging Tech, New Offerings

ARRI Launches ALEXA 35 Live Xtreme

ARRI Launches ALEXA 35 Live Xtreme ARRI has introduced the ALEXA 35 Live Xtreme, a new addition to its Multicam System that brings high frame rate (HFR) output of up to 8x to live productions using traditional SDI workflows.

4RFV UK

Jul

8th

2026

04:13

Events, Emerging Tech

Riedel and ARRI bring cinematic live production to Eurovision — TPi

Riedel Communications and ARRI played a key role in one of the most technically ambitious Eurovision Song Contest productions to date. For the first time in the event’s history, ARRI Alexa 35 Live cameras were used as the complete main camera package for a groundbreaking Cinematic Live Production, supported by Riedel’s DIVA+ infrastructure and delivered by ORF to over 132 million viewers across more than 35 participating territories.

Total Production International

Jul

7th

2026

14:52

New Offerings, Emerging Tech

Breaking Cameras: Arri’s New Alexa 35 Stay Xtreme Goals to Rework Sports Broadcasts – Creator Influence

Arri’s first digicam launch in its new possession period has arrived, and it’s the Arri Alexa 35 Stay Xtreme. The Arri Alexa 35 Stay Xtreme guarantees to “elevate dwell leisure protection to new heights” due to its big selection of excessive framerate (HFR) outputs, skilled broadcast-friendly workflow, and high-resolution picture sensor.

Ur All News

Jul

7th

2026

06:30

New Offerings

Cameras Become More Connected to Production Workflows

Cameras are not just the source of images for TV shows and live sports coverage, as well as—of course—feature films; they also help create the look and style of a production. As with many of the previously standalone components in modern broadcast workflows, though, the camera is becoming part of a bigger system.

TVTechnology

Jul

7th

2026

01:00

New Offerings, Emerging Tech

Arri’s New Alexa 35 Live Xtreme Aims to Transform Sports Broadcasts

Arri’s first camera launch in its new ownership era has arrived, and it’s the Arri Alexa 35 Live Xtreme. The Arri Alexa 35 Live Xtreme promises to “elevate live entertainment coverage to new heights” thanks to its wide range of high framerate (HFR) outputs, professional broadcast-friendly workflow, and high-resolution image sensor.

PetaPixel

Jul

6th

2026

23:31

New Offerings, Emerging Tech

Beyond IMAX: How Digital Cinema Escapes The Physical Limits of Film

We are living in an era of astonishing innovation and relentless obsolescence. Every year, new cameras are announced, marketed, bought, used, and then, eventually, sold. As camera technology advances, the cycle repeats. Throughout the history of digital acquisition, the pathway to ever more capable digital cameras was shaped by the history of film capture.

ProVideo Coalition

Jul

3rd

2026

03:14

Events, Emerging Tech

United by Music: Sennheiser, Riedel Communications and ARRI — TPi

As official technical suppliers to host broadcaster ORF for the 70th anniversary edition Eurovision Song Contest (ESC) 2026, Sennheiser deployed its largest Spectera set-up to date at Vienna’s Stadthalle. This included pre-production samples of the yet-to-be-launched Spectera handheld transmitter; Riedel Communications resumed its long-standing relationship and enlisted newly acquired ARRI to capture the action.

Total Production International

Jul

2nd

2026

12:15

B2B Tag

You Can Now Establish a WiFi Connection Between ARRI NIA-1 Interface Adapters With New Update

Big news for ARRI shooters: the company has announced a new SUP 1.2.2 update that is set to add performance boosts for those working with NIA-1 interface adapters and the Hi-5 and Hi-5 SX hand units.

No Film School

Jul

2nd

2026

01:00

B2B Tag

ARRI Software Updates for the Hi

ARRI has announced new Software Update Packages (SUPs) for the Hi-5/Hi-5 SX hand units and the Network Interface Adapter NIA-1.

Newsshooter

Arri's customers primarily consist of broadcast television and radio companies. Examples of Arri's customers include Al Mashhad, Star Channel and Nottingham Trent University. Arri has commercial and technical partners like Ortana Media Group and The Helm. Examples of Arri's suppliers include Rohde & Schwarz, ROE Visual and MASV.

Analysis

Data

Analysis

Data

Arri

2024 Revenue

Founded

Headcount

Headquarters

Primary Segment

Ownership

Deployments

News Summary:

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