FilmLight

FilmLight

http://www.filmlight.ltd.uk
https://www.linkedin.com/company/filmlight/

FilmLight is a privately owned company headquartered in the UK. Founded in 2002, the company employs approximately 70 individuals and reported $13.4M in revenue as of 2024. Functioning as a tier 2 media tech buyer, the company specializes in production and post-production, developing colour grading systems, image processing applications, and workflow tools.

2024 Revenue

Founded

2002

Headcount

63

Headquarters

UK

Primary Segment

Production and post production

Ownership

Privately Owned

Deployments

1

News Summary:

FilmLight will exhibit at NAB in Las Vegas from April 19-22, 2026, showcasing Baselight and Daylight v7, its remote media platform Nara, and the FilmLight API at booth #N1311. Previously, on February 9, 2026, independent colourist Cem Ozkilicci provided feedback that helped shape Baselight v7 after months of using its new features on various commercial, long-form, and corporate content. This followed FilmLight's February 2, 2026, announcement detailing key improvements and changes in Baselight v7's Truelight Colour Spaces, which included enhancements to its color management system, a redesigned Output Display Pipeline, and the introduction of a device color space for managing simultaneous display requirements across different output devices. Baselight v7, the company's color grading and finishing software, initially arrived on January 25, 2026, focusing on VFX- and detail-heavy productions with machine-learning tools, redesigned matte and channel workflows, and performance and pipeline improvements such as a depth map generator.

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FilmLight offers 3 products in the media tech industry. FilmLight's product portfolio comprises of production and post production.

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FilmLight's revenues were less than $25M in 2024. Caretta Research has split FilmLight's revenue into 3 different product categories, the largest of which is non-linear editing. For full access to FilmLight's revenue breakdown subscribe to Caretta Portal.

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Apr

24th

2026

09:36

Scaling Camera File Processing at Netflix

Orchestrating Media Workflows Through Strategic Collaboration Authors: Eric Reinecke, Bhanu Srikanth Introduction to Content Hub’s Media Production Suite At Netflix, we want to provide filmmakers with the tools they need to produce content at a global scale, with quick turnaround and choice from an extraordinary variety of cameras, formats, workflows, and collaborators.

Netflixtechblog

Mar

30th

2026

18:30

Events, Emerging Tech, B2B Tag

NAB. Las Vegas. April 19-22, 2026

Stand #N1311 (North Hall) April 19-22, 2026 Discover why colourists and DITs rely on Baselight and Daylight v7. Explore the latest updates about Nara, our platform for searching, transcoding, and viewing media remotely, and experience FilmLight API, FilmLight’s industry-trusted image processing engine.

Feb

9th

2026

13:03

Baselight v7 Cem Ozkilicci — a freelancer’s perspective Cem Ozkilicci, an independent colourist based in Oslo, Norway, spent months putting Baselight v7’s new features through real‑world tasks—he’s used the software on commercial work, long form feature content and fast turn-around corporate content, and his feedback has helped to shape the look of the new release.

Feb

2nd

2026

18:30

FilmLight Baselight v7– Truelight Colour Space Improvements

FilmLight’s Baselight v7 features key improvements and changes in Truelight Colour Spaces, with a focus on enhancements to its color management system. The Redesigned Output Display Pipeline necessitated a re-thinking of the color space architecture. It introduces the concept of a device color space so users can manage simultaneous display requirements, ensuring accurate color representation across different output devices like HDR displays via SDI, secondary image viewers, and Mac OS UI displays.

Jan

25th

2026

09:22

Emerging Tech, B2B Tag

Baselight v7 Arrives with Smarter Mattes, Faster Workflows and Closer Control

Baselight v7 gives special attention to VFX- and detail-heavy productions with machine-learning tools, redesigned matte and channel workflows, and performance and pipeline improvements. Depth map generator Baselight v7, the new version of FilmLight’s colour grading and finishing software, gives special attention to VFX- and detail-heavy productions.

Digital Media World

Jan

22nd

2026

18:30

Artificial Intelligence

Baselight v7 refines the colourist’s toolkit

For those who don’t know the tool: FilmLight’s Baselight is a professional colour grading and finishing system used across film, episodic and advertising pipelines. It integrates with Avid, Nuke and Flame, and extends to Baselight for macOS for flexible desktop workflows.

Digital Production

Jan

21st

2026

08:57

FilmLight releases Baselight v7 offering “smarter mattes, faster workflows and deeper control”

FilmLight has announced the release of Baselight v7, the latest version of its flagship colour grading and finishing solution. Designed for today’s VFX-heavy and detail-driven productions, Baselight v7 introduces “powerful new machine-learning tools, redesigned matte and channel workflows, and a range of performance and pipeline improvements that help colourists work faster and more creatively”, FilmLight said.

British Cinematographer

Jan

21st

2026

08:30

FilmLight Launches Baselight v7

FilmLight, known for its detailed colour toolset and longstanding relationships with creatives around the globe, has released Baselight v7, the latest version of its flagship colour grading and finishing solution. Designed for today’s VFX-heavy and detail-driven productions, Baselight v7 introduces powerful new machine-learning tools, redesigned matte and channel workflows, and a range of performance and pipeline improvements that help colourists work faster and more creatively.

Little Black Book

Jan

21st

2026

08:27

Emerging Tech, B2B Tag

FilmLight releases Baselight v7

FilmLight, known for its detailed colour toolset and longstanding relationships with creatives around the globe, today announced the release of Baselight v7, the latest version of its flagship colour grading and finishing solution. Designed for today’s VFX-heavy and detail-driven productions, Baselight v7 introduces powerful new machine-learning tools, redesigned matte and channel workflows, and a range of performance and pipeline improvements that help colourists work faster and more creatively.

Cinematography World

Nov

5th

2025

19:23

Case Studies Tokyo’s ARTONE FILM sets new standards in colour grading with Baselight for macOS See: ENGLISH | JAPANESE Tokyo based post-house becomes first facility in Japan to integrate Baselight M – enhancing creative flexibility and delivering quality colour across projects.

Nov

3rd

2025

18:30

Artificial Intelligence, CT_Monitor Company

From SMPTE MTS2025 – Towards Automated Perceptual Shot Matching in Motion Pictures

From the recent SMPTE Media Technology Summit in Pasadena, with FilmLight Image Engineer, Daniele Siragusano, and Research Engineer, Julius Tschannerl. Matching the colour balance of shots within scenes of motion pictures is a crucial early step during the grading process that lays the foundation for the creative work of the colourist.

Oct

27th

2025

18:30

Events, CT_Monitor Company

Picture Shop x Filmlight Colour Awards 2025

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FilmLight has customers like Artone Film. FilmLight has partners like MASV.

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